![]() Learn more in MySQL’s documentation on specifying account names. MySQL sets privileges based on account names, which consist of a user name and a host name in the format You can specify the host by name ( IP address ( or using wildcard characters ( like %, as in which matches all hosts). To limit access, you can add trusted sources or manage user permissions by following this guide. Instead of using doadmin to access the database, we recommend creating additional users who have only the privileges they need, following the principle of least privilege.Īdditionally by default, every database cluster is publicly accessible. Privilege Restrictions on DigitalOcean’s MySQL Managed Databasesīy default, MySQL database clusters come with a user, doadmin, which has full access to every database you create. These privileges can be granted for specific objects within a database, for an entire database, or globally. These can be granted globally or just for specific databases.ĭatabase object privileges allow users to manage specific objects within databases. Also known as global privileges.ĭatabase privileges allow users to manage a specific database and all the objects within that database. ![]() MySQL privileges are organized accordingly:Īdministrative privileges allow users to manage the operations of the MySQL server itself, including the privileges of other users. The privileges granted to a MySQL user determine what operations that user can perform. Its large and active developer community has created many third-party applications, tools, and libraries that expand MySQL’s functionality. Specifying a -i to ausearch also interprets numeric entities into text, making the logs more readable.MySQL is an open source, object-relational database built with speed and reliability in mind.Also, the timestamp can be converted into readable form. The user that ran the command was running with the root:system_r:unconfined_t:s0-s0:c0.c1023 SELinux context. From this trace, it can be seen that the file /etc/hosts was edited using the /usr/bin/vim command.This key can be used to search through the audit logs to find these actions, using the ausearch command: This is logged with the key monitor-hosts. In this example, a watch is placed on the /etc/hosts file for any syscalls which perform a write, read, or attribute change ( -p war).The auditd service must be restarted after any changes are made, also ensure that it is set to run on boot.Please see the man pages for "auditctl" and "les" for further information on syntax and swtiches.Note: In order for these rules to persist after a reboot, the below must be added to the relevant rule files, -w /etc/hosts -p a -k monitor-hosts It can uniquely identify the audit records produced by a rule. The filter key is an arbitrary string of text that can be up to 31 bytes long. -k sets a filter key on an audit rule.The permission are any one of the following:.-p sets permissions filter for a file system watch.-w inserts a watch for the file system object at path, i.e.auditctl is the command used to add entries to the audit database.# auditctl -w /etc/hosts -p war -k monitor-hosts Set a watch on the required file to be monitored by using the auditctl command:.Ensure the auditd service is running, and set to start on boot with chkconfig auditd on.The Linux Audit system ( audit package) can be used to accomplish this task.NOTE: For monitoring file deletion, please refer to How to configure audit to monitor file deletion in Red Hat Enterprise Linux? How do I monitor a file or directory to see which user or program has accessed or modified data ?.How do I monitor files or directories using auditd in Red Hat Enterprise Linux ?.What tool can audit files at a directory level?.How to configure auditd to find how a file was modified in Red Hat Enterprise Linux?.How to monitor the permission change and ownership change of a particular directory or file?.Red Hat Enterprise Linux (RHEL) 4, 5, 6, 7, 8, 9.
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You will see the progress of the file transfer. (Rootkit.0Access) -> Quarantined and deleted () -> Quarantined and deleted successfully.Ĭ:\Users\Ryuu\AppData\Roaming\SkyrimLauncher.exe (Trojan.Agent) -> Quarantined and deleted successfully.Ĭ:\Users\Ryuu\Local Settings\TempDIR\BetterInstaller.exe () -> Quarantined and deleted successfully.Ĭ:\ProgramData\Microsoft\Windows\Start Menu\Programs\RelevantKnowledge\About RelevantKnowledge.lnk () -> Quarantined and deleted successfully.Ĭ:\ProgramData\Microsoft\Windows\Start Menu\Programs\RelevantKnowledge\Privacy Policy and User License Agreement.lnk () -> Quarantined and deleted successfully.Ĭ:\ProgramData\Microsoft\Windows\Start Menu\Programs\RelevantKnowledge\Support.lnk () -> Quarantined and deleted successfully. #DECRYPTER SKIDROW CPY BUS SIMULATOR 18 WINDOWS 7#.#DECRYPTER SKIDROW CPY BUS SIMULATOR 18 LICENSE#.#DECRYPTER SKIDROW CPY BUS SIMULATOR 18 DRIVER#. ![]() The spiritual level here can be seen in the other uses of the Hebrew words. So we find the literal, physical level expressed clearly in the NIV translation here, telling us God has knit us together in our mother’s womb. The word beten can refer to the belly as a part of the body or as the place where the spirit of a person expressed itself and was satisfied. Sakak can be used as to “weave together, to hide or shield, or to rouse, excite, stir up”. This is seen in the use of the Hebrew words sakak and beten here, which again have ranges of meaning, of which David makes use here also to tell us something on more than one level. Again, we see first that this can be understood on the literal physical level as referring to the fact that God has created David’s physical body. The second phrase in this verse tells us that “You knit me together in my mother’s womb”. ![]() This is where the sense of qanah as to “redeem” comes into play, for, on the spiritual level, David is telling us here that God has also redeemed David’s desires, that his desire for God has been satisfied through his trust in God described in the first part of the Psalm, and all of his other “urges” can now be properly satisfied because of this. So David is telling us here that God has done more than merely create his physical body, but that God has created him with urges and desires, and one of those desires is the desire for God. The word qanah, however, has a wider range of meaning than merely to create, for the word is also used to mean to “possess, acquire, redeem or ransom”. So we find here, on a more literal level, that God has created our physical bodies. This is used here first as a synechdoche, a literary device in which a part of something is used to represent the whole. ![]() As we are aware, when the kidneys are functioning properly, this results in the desire (or urge) to find the restroom, so the kilyah was seen as the seat of one’s desires and urges, as the innermost and most private aspect of a person. Those bodies have desires, and this is where the kidneys come into play. So this can be seen, on the physical, literal level, as telling us that God has created us physically, that He has formed our bodies. The word kilyah literally refers to the kidneys, and one of the primary uses of the word qanah is as to “create or bring forth”. The phrase “created my inmost being” consists of the Hebrew words qanah and kilyah. The same word can mean different things when used in different situations. As we examine the first phrase here (“You created my inmost being”), we first note the fact that this verse operates on two levels through fact words can be used in different “senses”. This verse operates on two distinct levels here, which may be referred to as either physical and spiritual, or literal and metaphorical. ![]() The verse is translated as follows in the NIV: “For you created my inmost being, you knit me together in my mother’s womb”. This will become clear as we look at verse 13. As we begin in verse 13, we must note again that Psalms are written as poetry, and therefore may be examined and understood on more than one level. This could be very disconcerting if not for the theme of the second part of the Psalm, which tells us that God loves us anyway, in spite of our issues and shortcomings. The basic theme of the first twelve verses is that God knows us better than we know ourselves, that He is intimately familiar with all of our issues and shortcomings. This Psalm divides neatly into two parts, with the second part building upon the first. As we continue in our examination of this Psalm, we now begin the second part of the Psalm. They're just clunkier, simpler, and less dynamic than you want them to be. They were great in 2004, but today's standards are much higher. ![]() Where Rome Remastered doesn't shine? The real-time tactical battles. The controls are pretty shiny too, with a modernized suite of hotkeys and mouse control standards that incorporates over a decade of innovations. Making these old campaigns easy and quick to play with a much-updated user interface is where Total War: Rome Remastered really, really shines. ![]() There's also the Alexander campaign from that expansion, if you want a more streamlined experience. With two huge campaign setups between the original game and the Barbarian Invasion expansion, there are a lot of ways to conquer the ancient and early medieval worlds. I think the best compliment I can give is that, with the changes made, the graphics look as good as nostalgia says they looked 17 years ago. The battles especially just look lackluster because the battlefields are so bare of features. They're better by leagues, with lots of sad building models getting remade, especially on the campaign map, but they're nothing compared to any modern Total War. The music especially is much higher quality than the old game, and whatever magic was worked there has revitalized one of the best soundtracks of an entire era. That's not to say the graphics or sound are lacking. The somewhat-aged rig I played it on was able to chop along at maximum settings and peak unit sizes quite happily, with no stuttering in even the largest battles. ![]() The old Rome: Total War didn't always play well with modern hardware. As a remaster, a lot of attention is going to be given to how it looks and sounds, but what you really get out of this remaster is how it plays. ![]() The towers stood on the banks of a small spring that welled up within the cellars of Larloch's tower. Each had dominion over a few levels, where they conducted their nefarious experiments. The other towers were home to the liches and vampires of the city. Certain areas, caskets and cupboards contained magical traps that inflicted his powerful curses upon trespassers. He spent most of his time in these chambers. Within the tower were special safe rooms that quickly rejuvenated undead bodies, to which Larloch could quickly relocate if attacked and seriously damaged, only to return revitalized soon after. The highest and most dangerous tower belonged to Larloch himself. Dark bridges without rails spanned over the city, connecting courtyards and garden walls with the lower levels of other towers. These wizard towers were linked to form a large, walled castle around the ruined city and each stood within a circular, walled garden and courtyard. Seen from afar, the soaring towers that comprised the Warlock's Crypt had the semblance of great talons clad in black mail, menacing and grasping at the sky. Īs a flying Netherese enclave, Orbedal once hovered over the Cold Forest, on the southern shore of the Bay of Ascore. However, its location on maps was inexact and it was quite isolated. Warlock's Crypt lay somewhere in the western side of the Troll Hills, at the mouth of the Winding Water. These names were later corrupted into the name "Warlock's Crypt" or "Warlock's Keep". These names could still be found in old accounts and maps into the mid-1360s DR. Under the rule of Larloch, the city was called variously "Larloch's Crypt" or "Larloch's Keep". It is our intent to work within this license in good faith.As a Netherese enclave, the city was originally named "Orbedal" and was also called "Sanctuary". If you see any page that contains SRD material and does not show this license statement, please contact an admin so that this license statement can be added. To distinguish it, these items will have this notice. ![]() ![]() It is covered by the Open Game License v1.0a, rather than the GNU Free Documentation License 1.3. This is part of the (3.5e) Revised System Reference Document. weight) gpīack to Main Page → 3.5e Open Game Content → System Reference Document → Equipment Open Game Content ( place problems on the discussion page). To determine the price of a darkwood item, use the original weight but add 10 gp per pound to the price of a masterwork version of that item.ĭarkwood has 10 hit points per inch of thickness and hardness 5.ĬOST=Masterwork Item Cost + (10 × original lb. The armor check penalty of a darkwood shield is lessened by 2 compared to an ordinary shield of its type. Items not normally made of wood or only partially of wood (such as a battleaxe or a mace) either cannot be made from darkwood or do not gain any special benefit from being made of darkwood. Any wooden or mostly wooden item (such as a bow, an arrow, or a spear) made from darkwood is considered a masterwork item and weighs only half as much as a normal wooden item of that type. This rare magic wood is as hard as normal wood but very light. This material is published under the OGL 1.0a. ![]() A guidepost sits in the center of the cloud, with signs that read Tree, Tram, and Elder pointing in different directions. ![]() A quaint shop is set up near the top of the cloud where a young girl cobbles specialized footwear. Jesse settles into a large nest nearby, but she’s agitated because somehow during the rescue flight she lost her own egg. The painterly, pastel world of Meriloft is filled with nests, eggs, and the people that tend to them. My hands-on time with the PC version of Broken Age begins after Jesse drops Sacrifice Girl off on a beautiful settlement among the clouds. The day is brighter for our leading lady, but she may have doomed her hometown with the monster’s terrible vengeance by breaking tradition.Ībove: Watch the teaser trailer for Broken Age. I won’t spoil what happens, but eventually Sacrifice Girl rides off into the sky on the back of a big, friendly bird named Jesse. From here, players explore the saccharine village, talk to its denizens, and solve a series of puzzles leading up to a confrontation with Mog Chothra. Her radical inquiries don’t win over any allies, so she takes matters into her own hands. Naturally, Sacrifice Girl questions why Sugar Bunting goes through such great pains to appease Mog Chothra year after year instead of fighting back. She’s just a strong, independent-minded girl.” In Miyazaki movies it’s more understated. Even in the trailer for Brave she’s like ‘I want my freedom!’ and she’s fighting against all these things. “They have strong, young, female characters very resilient and resourceful. “One strong influence is Miyazaki’s movies, like Nausicaä of the Valley of the Wind or Kiki’s Delivery Service,” he says. The Maidens Feast is actually a ritual sacrifice to the gigantic beast Mog Chothra, and Sacrifice Girl is the main course.īroken Age’s heroine doesn’t fit the mold of your typical video game damsel, so I asked Schafer where her inspiration comes from. Being decorated may not be direct cause for alarm in a town of confectioners, but then she’s plopped into a gigantic, ball gown-shaped cake. Sacrifice Girl is fitted with a beautiful dress, which attendants begin lathering with cake frosting. Everyone is vague regarding what the celebration entails, but they assure her that being selected is a major honor. She has been selected for the Maidens Feast, which sounds pleasant enough at first. A surprise party is waiting for Sacrifice Girl when she arrives back home. ![]() Sacrifice Girl wakes up on a hillside to her sister calling her back to her hometown of Sugar Bunting. Players can switch between the two characters’ separate stories on the fly. Space Boy’s tale starts on a spaceship where daily tasks are coordinated by a coddling AI, and Sacrifice Girl’s story begins in a beautiful village that hosts a grisly ritual. Both are teenagers trying to break out of the questionable everyday routines that have been forced upon them. I visited the Double Fine studio in San Francisco to play Broken Age and chat with Schafer and producer Greg Rice.Īt the start of the game, players choose whether they want to play as Space Boy or Sacrifice Girl (these are placeholder names Double Fine hasn’t nailed down the characters’ names). Now the developer is ready to show the game off and give gamers something tangible to hang their adventuring hopes on. The gaming public has seemingly latched the potential success of the entire crowd-funding model to the game, and Double Fine’s reputation rests on what it does with the fan-generated funding. The game’s groundbreaking path through development has lent a unique significance to the project. Team members also post exclusive content like concept art or production schedules in special forums. A documentary team, 2 Player Productions, has helped Double Fine maintain transparency on the project via episodic updates. Up until now, the only public glimpses of Broken Age have been reserved for backers of the project. Games like The Secret of Monkey Island and Day of the Tentacle. Double Fine received the cash on good faith that it would deliver a classic, 2D adventure game like the ones the company’s founder, Tim Schafer, worked on at LucasArts in the ‘90s. Last year Double Fine shattered its crowd-funding goal of $400,000 by raising an unprecedented $3.3 million of publisher-free money from fans over the course of a month. Whether or not you’ve played Double Fine games like Psychonauts and Brütal Legend, you’ve probably heard of the company’s outrageously successful Kickstarter campaign. Here are some common structures that you can use: Remember that the main phrases that we’re going to use are: To do so, you need to add some adjectives or nouns to describe the type of haircut or hairstyle you’re looking for. Now, it’s time to be more specific about what you want. ¿Tendrá tiempo de pintarnos el cabello? Are you able to dye our hair? Describing How You Want Your HaircutĪt the beginning of this article, we discussed some of the general phrases that you can use to ask for a haircut. The verb works with an indirect pronoun which is attached to the end of the verb.The verb that you use to describe the haircut or hairstyle you need is in its infinitive form (it’s not conjugated). ![]() If you decide to use it, keep in mind that: This structure is very popular when you don’t have an appointment and you want to check if the hairdresser has the time to help you. ¿Tendrá tiempo de arreglarle la barba a mi esposo? Are you able to tidy up my husband’s beard? ¿Tendrá tiempo de alaciarme el cabello? Are you able to straighten my hair now? ![]() ¿Tendrá tiempo de + verb to describe haircuts/hairstyle? This is the phrase structure you need to use. At the end of this article, you’ll find some helpful verbs for this situation. However, you can use another verb to describe the service you need. Notice that in the previous example, we used cortar el cabello. ¿Tendrá tiempo de cortarme el cabello? Are you able to cut my hair now? ¿Me puede atender ahora? Are you able to see me now? Even though in this situation you can also use any of the phrases we saw before, it’s more common to use one of the following. In most Spanish speaking countries it’s very common to go to the hairdresser without having an appointment. Spanish Phrases When You Don’t Have a Haircut Appointment Depending on the person, ‘Quisiera un corte de cabello’ could be considered slightly more informal however, it’s widely used among Spanish speakers. If you want to be more polite when asking for a haircut, you need to use ‘¿Me puede cortar el cabello?’ or ‘¿Me podría cortar el cabello?’. ¿Me puede cortar el cabello? May I have a haircut?Īlthough the meaning and intention of these phrases are the same, the main difference between them is their degree of formality. Me gustaría cortarme el cabello I’d like to cut my hair Quisiera un corte de cabello I’d like a haircut Body parts the Hairdresser might ask AboutĪs mentioned earlier, there are some general Spanish phrases that are going to help you to get a haircut.Adjectives to Describe your Haircut and Style.Spanish verbs to Describe Haircuts and Styles.Talking About other Services at the Barber’s Shop.Hopefully, by the end of it, you’ll feel more confident to ask for a haircut in Spanish. We’ll also provide you with some of the most common vocabulary that we use in this situation. On top of the previous examples, in this article, you’re going to learn some phrases to describe the type of haircut you want. So, in order to get exactly the style you want, you’ll need to include some vocabulary to make your description better. Me gustaría cortarme el cabello – I’d like to get a haircutĮven though these phrases are very useful when asking for a haircut in Spanish, they’re also very general.¿Me puede cortar el cabello? – May I have a haircut?.Quisiera un corte de cabello – I’d like a haircut. ![]() So, how do you ask for a haircut in Spanish? The easiest way to ask for a haircut in Spanish is by using one of the following phrases: Knowing some basic vocabulary to use with your hairdresser not only is going to help you to get the hairstyle that you want but also it’ll give you the chance to practice your Spanish in a real conversation. If you’re living or spending a lot of time in a Spanish speaking country, at some point you may need to get a haircut. ![]() Help on function make_subplots in module plotly.subplots: Here is an example that creates and populates a 2 x 2 subplot grid containing 4 different subplot types. "bar", "scattergeo", "carpet", "mesh", etc.) which will be used to determine the appropriate subplot type for that trace. "domain": Subplot type for traces that are individually positioned."mapbox": Mapbox subplot for scattermapbox."ternary": Ternary subplot for scatterternary."polar": Polar subplot for scatterpolar, barpolar, etc."scene": 3D Cartesian subplot for scatter3d, cone, etc.This is the default if no type is specified. "xy": 2D Cartesian subplot type for scatter, bar, etc.Here are the possible values for the type option: scatterpolar, scattergeo, parcoords, etc.) are supported by specifying the type subplot option in the specs argument to make_subplots. show ()īy default, the make_subplots function assumes that the traces that will be added to all subplots are 2-dimensional cartesian traces (e.g. update_layout ( title_text = "Customizing Subplot Axes", height = 700 ) fig. update_yaxes ( title_text = "yaxis 4 title", row = 2, col = 2 ) # Update title and height fig. update_yaxes ( title_text = "yaxis 3 title", showgrid = False, row = 2, col = 1 ) fig. update_yaxes ( title_text = "yaxis 2 title", range =, row = 1, col = 2 ) fig. update_yaxes ( title_text = "yaxis 1 title", row = 1, col = 1 ) fig. update_xaxes ( title_text = "xaxis 4 title", type = "log", row = 2, col = 2 ) # Update yaxis properties fig. update_xaxes ( title_text = "xaxis 3 title", showgrid = False, row = 2, col = 1 ) fig. update_xaxes ( title_text = "xaxis 2 title", range =, row = 1, col = 2 ) fig. update_xaxes ( title_text = "xaxis 1 title", row = 1, col = 1 ) fig. Scatter ( x =, y = ), row = 2, col = 2 ) # Update xaxis properties fig. Scatter ( x =, y = ), row = 2, col = 1 ) fig. Scatter ( x =, y = ), row = 1, col = 2 ) fig. Scatter ( x =, y = ), row = 1, col = 1 ) fig. ![]() Line 7-10: Index the ax array to plot different subplots on the figure fig.From plotly.subplots import make_subplots import aph_objects as go # Initialize figure with subplots fig = make_subplots ( rows = 2, cols = 2, subplot_titles = ( "Plot 1", "Plot 2", "Plot 3", "Plot 4" ) ) # Add traces fig.Line 5: Generate some data using numpy.Line 4: Generate a figure with 2 rows and 2 columns of subplots.Line 1-2: Import matplotlib.pyplot for plotting and numpy for generating data to plot.Here is an example on how to use the method: ax: A single object of the axes.Axes object if there is only one plot, or an array of axes.Axes objects if there are multiple plots, as specified by the nrows and ncols.fig: The object to be used as a container for all the subplots.Here is an explanation of the tuple returned by the function: **fig_kw: Any additional keyword arguments to be passed to pyplot.figure call.gridspec_kw: Dict of grid specifications passed to GridSpec constructor to place grids on each subplot.subplot_kw: Dict of keywords to be passed to the add_subplot call to add keywords to each subplot.squeeze: Boolean value specifying whether to squeeze out extra dimension from the returned axes array ax.Possible values are none, all, row, col or a boolean with a default value of False. sharex, sharey: Specifies sharing of properties between axes.Both of these are optional with a default value of 1. nrows, ncols: Number of rows and columns of the subplot grid.Given below is the detail of each parameter to the method: ![]() Even so, that is nothing compared to Opus One's Napa neighbours Harlan and Screaming Eagle, whose Cabernet Sauvignons sell for around £1,200 and £2,000 per bottle respectively. As Jancis mentioned in her article, Penfolds recently released a new, unproven Shiraz for £850 per bottle, in bare-faced defiance of the criticism it has faced over ever-increasing prices for its top wines (The 2015 of Grange has an RRP of £591). Secondly, let's consider value and relativity. Our database contains 39 tasting notes covering 24 vintages of Opus One with a mean score of 17.5, and a mode of 18. The difference may seem marginal, but it is real, and it remains true that experiencing the truly greatest wines of the world is never cheap. Scores are important here, because it is almost unheard of for inexpensive wines to score above 17.5. I scored it 18++, and I see that Jancis was half a point ahead of me when she tasted it earlier this year (see Opus goes wild, which also reveals more about their winemaking philosophy). There is an impeccability to the fruit that sets such wines apart. It was like Pauillac in seductive soft focus: all the sun-kissed richness of Napa with all the savoury formality of Bordeaux. I tasted the newly released 2016 in Singapore in September and the impression was instant. The first is the quality of the wine itself. But surely readers of the world's best wine website are at least open to persuasion that Opus One is worth the asking price? Indeed, for the majority of British wine drinkers, anything above the average bottle price of around £6 must seem excessive. Since Jancis recently asked if wine is becoming a luxury, observing that 'it is becoming increasingly difficult to find wines of real interest under £25 a bottle', a typically well-informed and thoughtful debate has been running on our Members' forum, citing many examples of the way prices for fine wine have increased so dramatically in recent years.įor many people, £300 for a bottle of wine is absurdly expensive, offensive even. Opus One, the famous Californian Cabernet, is neither in need of greater exposure nor, at £300 per bottle, of interest to the bargain hunter. Most wines of the week are chosen with the bargain hunter in mind, bringing lesser-known bottles to the attention of those who would most appreciate them. If value is relative, then Opus One most definitely qualifies (as does a Sonoma Zinfandel at a somewhat lower price).įrom $299, €329.90, £296.68, SG$450 and widely available around the world. Project Cars tops out at 32 cars on the track at one time, and tradition for the Indy 500 is that 33 cars always start. Trying all of them would have taken far more time than I have, but I ran the gamut from the new (to Project Cars) World Rallycross cars in all kinds of weather to sports cars to GT3 cars to a not-quite-complete run at the Indy 500. It also must be said that while the A45 is a precision machine, it does suffer from some understeer as a result of AMG's baffling decision to keep the all-wheel-drive system strongly front-biased.įrom there I tried to get a feel for as many of the game's play-spaces and toys as possible. It's still a bit harder to set the front end of that particular car than I expect, but it's well within a reasonable margin of error. Luckily, whatever was causing that particular trouble appears to have been fixed. But in the preview version of Project Cars 2 it understeered so badly that I was genuinely wondering if I had found a bug of some sort. ![]() No, the A45 isn't a race car in the real world, but it is a seriously sharp instrument, and I enjoyed the virtually identical CLA45 at the Horse Thief Mile a ton when I got a chance to play. ![]() When I played the pre-release version for our preview, I found that some of the road cars were excessively blunted. The first thing I did was try out a Mercedes-AMG A45 at the Willow Springs Horse Thief Mile. Luckily, I do know enough about what I'm doing to jump right in. It needn’t just be for newcomers either: the racing school section could provide a bit of analysis and then car geeks like me would keep going back to it for advice. People out there crave it and it’s one of the only ways the audience for these games is going to grow. I would have loved to see Project Cars 2 break from the racing sim pack a bit here and provide some real training. Unfortunately, sims can provide a tougher learning curve than an actual race track. Yes, a big part of the racing sim audience already understands at least the basics of tyre management, of weight transfer, and of traction circles, but there are also a lot of people out there who would love to learn some performance driving. Unfortunately, racing school is not one of those options. From an intro as beautiful as it is unnecessarily dramatic, it’s straight into the crowd of modes, vehicles and tracks clamouring for your attention. ![]() Right from the start, Project Cars 2 is slick. Containing so many options and disciplines risks making it a jack of all trades, but there's enough quality in the fundamentals to make the whole thing worth your while. I got a taste of the game a few weeks ago and found it satisfying, but now that I’ve spent some time with the full version, due for release this week, I’m fully on board, in spite of a few significant flaws. Project Cars 2 threw me into so many different racing disciplines that I needed copious amounts of tea to reflect and recover. |